Reading, Writing, and Romanticism: The Anxiety of ReceptionReading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book explores how readers are imagined, addressed, figured and theorised in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are examined alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading-habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry - its repercussions for the poetics of reception. |
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THE SENSE OF AN AUDIENCE | 3 |
Authorship and the Public Sphere | 13 |
Reputation | 30 |
Reading Consumption | 39 |
COLERIDGE | 49 |
The Rhetoric of Mystery | 85 |
WORDSWORTH 2 2 2 0 | 91 |
Ballads 1800 | 117 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
Jewsbury Hemans and Landon | 251 |
DEFENCES | 263 |
Copyright and the Paradox of Romantic Authorship | 269 |
CanonFormation Connectiveness and Recuperation | 289 |
REPETITION | 298 |
Hermeneutic | 311 |
Women Readers and the Dangers of Sympathetic | 317 |
An Epitaphic | 124 |
ANNA BARBAULD | 134 |
Interventions and Trespasses | 145 |
COMPETITION AND COLLABORATION | 173 |
Envy Irony and the Rivalry of Genres | 215 |
AN AMBIGUOUS | 333 |
From Sheridan to Thelwall | 339 |
372 | |
391 | |
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