The Movement Towards Subversion: The English History Play from Skelton to ShakespeareUniversity Press of America, 1996 - 228페이지 The Movement Towards Subversion explores the theme of power in the Renaissance English history play. It analyzes the growing subversion of the sociopolitical hierarchy in Renaissance drama from Skelton's Magnificence to Shakespeare's King Lear. Unlike most scholarship, this book studies the lesser-known, often neglected dramas plus some familiar "canonical" works. These plays tell us a lot about political and religious attitudes in sixteenth-century England. Instead of discussing the plays in regard to their relationships with and influences upon Shakespearean drama, the author analyzes the plays on their own terms. This book also shows how dramatists employ medieval history in their plays to express subversive ideas about Tudor political situations. |
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... actions -- his breach with Rome , his desire for a divorce , his ransacking and looting of monasteries , and his anti - clerical policies . Many Catholics , including Henry's nobles in northern and southwestern England , disapproved of ...
... actions -- his breach with Rome , his desire for a divorce , his ransacking and looting of monasteries , and his anti - clerical policies . Many Catholics , including Henry's nobles in northern and southwestern England , disapproved of ...
91 페이지
... actions . The dramatist must be unaware of the subtext of Gloucester's words , which actually betrays subversive thoughts . Woodstock refuses to partake in their rebellion , but the masquers never declare such intentions ; they inform ...
... actions . The dramatist must be unaware of the subtext of Gloucester's words , which actually betrays subversive thoughts . Woodstock refuses to partake in their rebellion , but the masquers never declare such intentions ; they inform ...
107 페이지
... actions . Our sympathies , which lie frequently ( but not exclusively ) with the barons early in the play , shift to Edward when Mortimer Junior attempts to commit regicide while he and the invaders from France defeat the king's army ...
... actions . Our sympathies , which lie frequently ( but not exclusively ) with the barons early in the play , shift to Edward when Mortimer Junior attempts to commit regicide while he and the invaders from France defeat the king's army ...
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as Political Propaganda | 3 |
Ambivalence Towards King John | 19 |
Shakespeares King John and the Dangers of Commodity | 39 |
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abdication advisors allegiance anonymous dramatist anonymous playwright anti-Catholic Arthur audience authority Bale Bale's King Johan barons Bastard believes Bolingbroke brother Carole Levin character Church of Rome claims counselors crown David Bevington death deposed divine right drama Duke Earl Edward Edward II Elizabethan England English history Essex evil Ferrex Ferrex and Porrex flatterers Gaveston genre Gloucester Gorboduc govern heir Henry VIII Henry's history play Holinshed Holinshed's Chronicles Hubert ideology Isabella John Bale John's King John King Leir King Richard king's kingdom kingship Lear London lords Lords Appellant Magnificence Marlowe Marlowe's medieval minion monarch morality play murder Neuss nobles Norton and Sackville Pandulph papal Parliament Philip playwright plot political Pope Porrex portrays possesses prince propaganda Raphael Holinshed realize realm Reformation reign religious Renaissance Richard II ruler says scene Shakespeare Shakespeare's play Skelton sovereign Spencer Junior subjects subjugation subversive sycophants throne tragedy tragic Troublesome Raigne Tudor University Press usurpation Woodstock