The Movement Towards Subversion: The English History Play from Skelton to ShakespeareUniversity Press of America, 1996 - 228ÆäÀÌÁö The Movement Towards Subversion explores the theme of power in the Renaissance English history play. It analyzes the growing subversion of the sociopolitical hierarchy in Renaissance drama from Skelton's Magnificence to Shakespeare's King Lear. Unlike most scholarship, this book studies the lesser-known, often neglected dramas plus some familiar "canonical" works. These plays tell us a lot about political and religious attitudes in sixteenth-century England. Instead of discussing the plays in regard to their relationships with and influences upon Shakespearean drama, the author analyzes the plays on their own terms. This book also shows how dramatists employ medieval history in their plays to express subversive ideas about Tudor political situations. |
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12 ÆäÀÌÁö
... Usurped Power are not only villains because of their religious hypocrisy but also because of their usurpation of the sovereign's power . They employ their religious rituals to achieve their political ambition . In his effort to force ...
... Usurped Power are not only villains because of their religious hypocrisy but also because of their usurpation of the sovereign's power . They employ their religious rituals to achieve their political ambition . In his effort to force ...
26 ÆäÀÌÁö
... usurpation of the throne ? Such an inference is probable because his behavior in regard to Arthur ( his possible usurpation of the child's right and his instructions to Hubert concerning his nephew ) is his only major sin in the play ...
... usurpation of the throne ? Such an inference is probable because his behavior in regard to Arthur ( his possible usurpation of the child's right and his instructions to Hubert concerning his nephew ) is his only major sin in the play ...
48 ÆäÀÌÁö
... usurper , thus undercutting the Tudor ideological perspective of John as a martyr - hero . In his discussion of John's usurpation , Elliot focuses on the first scene of King John . He claims : In stressing John's illegitimacy in this ...
... usurper , thus undercutting the Tudor ideological perspective of John as a martyr - hero . In his discussion of John's usurpation , Elliot focuses on the first scene of King John . He claims : In stressing John's illegitimacy in this ...
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as Political Propaganda | 3 |
Ambivalence Towards King John | 19 |
Shakespeares King John and the Dangers of Commodity | 39 |
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abdication advisors allegiance anonymous dramatist anonymous playwright anti-Catholic Arthur audience authority Bale Bale's King Johan barons Bastard believes Bolingbroke brother Carole Levin character Church of Rome claims counselors crown David Bevington death deposed divine right drama Duke Earl Edward Edward II Elizabethan England English history Essex evil Ferrex Ferrex and Porrex flatterers Gaveston genre Gloucester Gorboduc govern heir Henry VIII Henry's history play Holinshed Holinshed's Chronicles Hubert ideology Isabella John Bale John's King John King Leir King Richard king's kingdom kingship Lear London lords Lords Appellant Magnificence Marlowe Marlowe's medieval minion monarch morality play murder Neuss nobles Norton and Sackville Pandulph papal Parliament Philip playwright plot political Pope Porrex portrays possesses prince propaganda Raphael Holinshed realize realm Reformation reign religious Renaissance Richard II ruler says scene Shakespeare Shakespeare's play Skelton sovereign Spencer Junior subjects subjugation subversive sycophants throne tragedy tragic Troublesome Raigne Tudor University Press usurpation Woodstock