The Drama: Or, Theatrical Pocket Magazine, 1권T. and J. Elvey., 1821 Wholly dedicated to the stage, and containing original dramatic biography, essays, criticisms, poetry, reviews ... with occasional notices of the country theatres, the whole forming a complete critical and biographical illustration of the British stage. |
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2 페이지
... performance that commanded admi- ration , and at the same time it afforded to those who wit- nessed his first efforts in London , a striking contrast no doubt , to the elucidations of that heavy Actor Mr. Stephen Kemble , who had but ...
... performance that commanded admi- ration , and at the same time it afforded to those who wit- nessed his first efforts in London , a striking contrast no doubt , to the elucidations of that heavy Actor Mr. Stephen Kemble , who had but ...
3 페이지
... performance . -But let us pass on to his Hamlet , which he represented on the 13th of March following . - Perhaps before we touch upon this we ought to admit that the objections which have so repeatedly been urged against Mr. KEAN's ...
... performance . -But let us pass on to his Hamlet , which he represented on the 13th of March following . - Perhaps before we touch upon this we ought to admit that the objections which have so repeatedly been urged against Mr. KEAN's ...
4 페이지
... performance in depicting the " Thane of Cawdor . " In the scene with the Witches he kept up the effect through- out with particular success - and at the banquet where the ghost of Banquo fills the vacant chair , we can point out no look ...
... performance in depicting the " Thane of Cawdor . " In the scene with the Witches he kept up the effect through- out with particular success - and at the banquet where the ghost of Banquo fills the vacant chair , we can point out no look ...
5 페이지
... performance . - In Sir Giles Overreach Mr. KEAN resembled some ancient portrait kin- dled into life - he brought the very man before us - so va ried and alive was every part of his performance that it was more like a continued ...
... performance . - In Sir Giles Overreach Mr. KEAN resembled some ancient portrait kin- dled into life - he brought the very man before us - so va ried and alive was every part of his performance that it was more like a continued ...
41 페이지
... performances this evening were by command of HIS MAJESTY , who honoured the theatre with his presence , as he had done Covent Garden on the evening before . The theatre was of course crowded to excess , and HIS MAJESTY was received with ...
... performances this evening were by command of HIS MAJESTY , who honoured the theatre with his presence , as he had done Covent Garden on the evening before . The theatre was of course crowded to excess , and HIS MAJESTY was received with ...
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acting actor Adel Adelaide admirable Alonzo appearance applause audience bard beautiful called celebrated character CHARLES Cobourg comedy comic Covent Garden Covent Garden Theatre Dæmon death DRAMA Duke effect English Ethelwald excellent exhibited farce father favour favourite feeling French GARRICK genius hand hath Haymarket HAYMARKET THEATRE heart Henry Henry VI honour humour KEAN KEMBLE King King's Theatre lady London Lord Lord Byron Macbeth MAJESTY manner merit Mid Lothian mind murder nature never night o'er opera original Othello OXBERRY passion performance PERKIN WARBECK person piece play plot poet present Prince produced proprietors Queen racter Ravenstone readers received representation RICHARD RICHARD III Rob Roy scene season SHAKSPEARE SHAKSPEARE'S shew songs soul spirit stage style success SURREY THEATRE talents taste theatre theatrical thee thou tion tragedy voice whole wife writer written young
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171 페이지 - And all amid them stood the tree of life, High eminent, blooming ambrosial fruit Of vegetable gold; and next to life Our death the tree of knowledge grew fast by, Knowledge of good bought dear by knowing ill.
24 페이지 - Caesar carelessly but nod on him. He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake : — 'tis true, this god did shake.
237 페이지 - I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaimed their malefactions ; For murder, though it have no tongue, will speak With most miraculous organ.
390 페이지 - Shakespeare was inspiration indeed ; he is not so much an imitator as an instrument of Nature ; and it is not so just to say that he speaks from her as that she speaks through him.
385 페이지 - WHEN Learning's triumph o'er her barbarous foes First rear'd the stage, immortal Shakspeare rose; Each change of many-colour'd life he drew, Exhausted worlds, and then imagined new : Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain.
81 페이지 - See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury, New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a man : This was your husband.
110 페이지 - Not what we ail'd, yet something we did ail ; And yet were well, and yet we were not well, And what was our disease we could not tell. Then would we kiss, then sigh, then look. And thus In that first garden of our simpleness We spent our childhood : but when years began To reap the fruit of knowledge, ah, how then Would she with graver looks, with sweet stern brow, Check my presumption and my forwardness ; Yet still would give me flowers, still would me show What she would have me, yet not have me...
117 페이지 - I speak to Time and to Eternity, Of which I grow a portion, not to man. Ye elements ! in which to be resolved I hasten, let my voice be as a spirit Upon you ! Ye blue waves ! which bore my banner, Ye winds ! which...
328 페이지 - The dawn is overcast, the morning lowers, And heavily in clouds brings on the day, The great, the important day, big with the fate Of Cato and of Rome.
182 페이지 - The house is shown by a garrulous old lady in a frosty red face, lighted up by a cold blue anxious eye, and garnished with artificial locks of flaxen hair, curling from under an exceedingly dirty cap.