The Critical and Miscellaneous Prose Works of John Dryden: Now First Collected : with Notes and Illustrations, 1권,파트 2Cadell and Davies, 1800 - 596페이지 |
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151 페이지
... PLOT . P. 306. n . l . 11. After Muse , add - THE TORY POETS . P. 307. n . Since this note was written , I have met with THE WHIP AND KEY . Some account of that poem may be found in the Life of Dryden , p . 158 . P. 310. n . Sir George ...
... PLOT . P. 306. n . l . 11. After Muse , add - THE TORY POETS . P. 307. n . Since this note was written , I have met with THE WHIP AND KEY . Some account of that poem may be found in the Life of Dryden , p . 158 . P. 310. n . Sir George ...
4 페이지
... plot is laid open , the spectators may rest satisfied , that every cause was powerful enough to produce the effect it had ; and that the whole chain of them was with such due order linked together , that the first accident would ...
... plot is laid open , the spectators may rest satisfied , that every cause was powerful enough to produce the effect it had ; and that the whole chain of them was with such due order linked together , that the first accident would ...
6 페이지
... Plotting and writing in this kind , are certainly more troublesome employments than many which signify more , and are of greater moment in the world : The fancy , memory , and judgment are then extended ( like so many limbs ) upon the ...
... Plotting and writing in this kind , are certainly more troublesome employments than many which signify more , and are of greater moment in the world : The fancy , memory , and judgment are then extended ( like so many limbs ) upon the ...
8 페이지
... plot and language as I ought ; but for the latter , I have endeavoured to write English , as near as I could distinguish it from the tongue of pedants , and that of affected travellers ; only I am sorry , that , speaking so noble a ...
... plot and language as I ought ; but for the latter , I have endeavoured to write English , as near as I could distinguish it from the tongue of pedants , and that of affected travellers ; only I am sorry , that , speaking so noble a ...
46 페이지
... plot ; or the episodical ornaments , such as descrip- tions , narrations , and other beauties , which are not essential to the play ; ) were delivered to us from the observations which Aristotle made , of those poets , who either lived ...
... plot ; or the episodical ornaments , such as descrip- tions , narrations , and other beauties , which are not essential to the play ; ) were delivered to us from the observations which Aristotle made , of those poets , who either lived ...
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acted action admire Æneid afterwards alluded ancients appears argument Aristotle audience beauty believe Ben Jonson betwixt blank verse character Charles comedy confess Cotterstock Cousin Crites criticks daughter Dedication desire discourse DRAMATICK POESY Duke Earl earl of Dorset edition English errour Essay Eugenius excellent fancy father faults favour Fletcher French friends give heroick honour Horace humour ICON ANIMORUM imitation JACOB TONSON JOHN DRYDEN judge judgment kind King lady language last age letter lines Lisideius lord Buckhurst Lord Radcliffe Lord Roscommon Lordship MADAM nature never observed opinion Oundle Ovid passions person pleas'd plot poem poet poetry present printed probably publick quæ reason rhyme scenes Servant Shakspeare Shakspeare's shew SILENT WOMAN Sir Robert Howard sonn speak stage Steward supposed theatre things thought tion tragedy translated Virgil virtue words writ write written
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83 페이지 - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
110 페이지 - This last is indeed the representation of nature, but 'tis nature wrought up to an higher pitch. The plot, the characters, the wit, the passions, the descriptions are all exalted above the level of common converse, as high as the imagination of the poet can carry them, with proportion to verisimility.
83 페이지 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
266 페이지 - ... saw before him. He knew that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity. Characters thus ample and general were not easily discriminated and preserved; yet perhaps no poet ever kept his personages more distinct from each other. I will not say with Pope, that every speech may be assigned to the proper speaker...
29 페이지 - ... almost a new nature has been revealed to us ? that more errors of the school have been detected, more useful experiments in philosophy have been made, more noble secrets in optics, medicine, anatomy, astronomy, discovered, than in all those credulous and doting ages from Aristotle to us ? — so true it is, that nothing spreads more fast than science, when rightly and generally cultivated.
16 페이지 - Ne pueros coram populo Medea trucidet, Aut humana palam coquat exta nefarius Atreus, Aut in avem Progne vertatur, Cadmus in anguem. Quodcunque ostendis mihi sic , incredulus odi.
86 페이지 - One cannot say he wanted wit, but rather that he was frugal of it. In his works you find little to retrench or alter. Wit and language, and humour also, in some measure, we had before him ; but something of art was wanting to the drama till he came.
278 페이지 - And thus still doing, thus he pass'd along. DUCH. Alas, poor Richard! where rides he the whilst? YORK. As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
147 페이지 - Our language is noble, full, and significant, and I know not why he who is master of it may not clothe ordinary things in it as decently as the Latin, if he use the same diligence in his choice of words.
166 페이지 - Pontus ; we know that there is neither war nor preparation for war; we know that we are neither in Rome nor Pontus, that neither Mithridates nor Lucullus are before us. The drama exhibits successive imitations of successive actions, and why may not the second imitation represent an action that happened years after the first if it be so connected with it that nothing but time can be supposed to intervene ? Time is, of all modes of existence, most obsequious to the imagination; a lapse of years is...