The Spirit of the Age: Or, Contemporary Portraits, 1-2권Galignani, 1825 |
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5 페이지
... force and beauty than is to be found in the original pas- sage , he thinks he shows his superiority of ex- ecution in this in a more marked manner than if the first suggestion had been his own . It is not the value of the observation ...
... force and beauty than is to be found in the original pas- sage , he thinks he shows his superiority of ex- ecution in this in a more marked manner than if the first suggestion had been his own . It is not the value of the observation ...
10 페이지
... force of style , nor has he produced any regular work or masterly whole . He does not prepare any plan beforehand , nor revise and retouch what he has written with polished accuracy . His only object seems to be to stimulate himself and ...
... force of style , nor has he produced any regular work or masterly whole . He does not prepare any plan beforehand , nor revise and retouch what he has written with polished accuracy . His only object seems to be to stimulate himself and ...
11 페이지
... force of his own feel- ings . He is often monotonous , extravagant , offensive ; but he is never dull , or tedious , but when he writes prose . Lord Byron does not exhibit a new view of nature , or raise insigni- ficant objects into ...
... force of his own feel- ings . He is often monotonous , extravagant , offensive ; but he is never dull , or tedious , but when he writes prose . Lord Byron does not exhibit a new view of nature , or raise insigni- ficant objects into ...
12 페이지
... force and brilliancy of his style and imagery . Lord Byron's earlier productions , Lara , the Corsair , etc. were wild and gloomy ro- mances , put into rapid and shining verse . They discover the madness of poetry , toge- ther with the ...
... force and brilliancy of his style and imagery . Lord Byron's earlier productions , Lara , the Corsair , etc. were wild and gloomy ro- mances , put into rapid and shining verse . They discover the madness of poetry , toge- ther with the ...
17 페이지
... force of the serious writing , and to the oddity of the con- trast between that and the with which it is interlarded . lime to the ridiculous there is but one step . You laugh and are surprised that any one should turn round and ...
... force of the serious writing , and to the oddity of the con- trast between that and the with which it is interlarded . lime to the ridiculous there is but one step . You laugh and are surprised that any one should turn round and ...
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admiration affections argument beauty Ben Jonson Bentham breath candour casuistry character Claude Lorraine Cobbett Coleridge common common-place criticism delight Edinburgh Review eloquence equally fancy favour feeling French Revolution friends genius give Godwin grace ground habit hand heart honour House human idle imagination intellect interest Irving less liberty light live look Lord Byron LORD ELDON Lyrical Ballads Malthus manner means ment mind modern moral Muse nature ness never object opinion orator pain passion perhaps person philosophical poet poetical poetry political popular prejudices pretensions principle quaint question racter reason Scotch sense Sir Francis Burdett Sir James Sir James Mackintosh Sir Walter Sir Walter Scott sophism sort Southey speak speeches spirit spleen striking style talent thing thought tical tion tone Tooke truth turn verse vice and misery voice Whigs whole word Wordsworth writings
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134 페이지 - ON Linden, when the sun was low, All bloodless lay the untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly. But Linden saw another sight, When the drum beat, at dead of night, Commanding fires of death to light The darkness of her scenery.
135 페이지 - Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank, and fiery Hun, Shout in their sulphurous canopy. The combat deepens. On, ye brave, Who rush to glory, or the grave! Wave, Munich ! all thy banners wave ! And charge with all thy chivalry ! Few, few, shall part where many meet ! The snow shall be their winding sheet, And every turf beneath their feet Shall be a soldier's sepulchre.
53 페이지 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrow'd his mind, And to party gave up what was meant for mankind.
114 페이지 - Full on this casement shone the wintry moon, And threw warm gules on Madeline's fair breast, As down she knelt for heaven's grace and boon; Rose-bloom fell on her hands, together prest, And on her silver cross soft amethyst, And on her hair a glory, like a saint: She seem'da splendid angel, newly drest, Save wings, for heaven: Porphyro grew faint: She knelt, so pure a thing, so free from mortal taint.
59 페이지 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
114 페이지 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
73 페이지 - I behold thee in thy loftier mood, Wand'ring at eve, with finely frenzied eye, Beneath some vast old tempest-swinging wood ! Awhile, with mute awe gazing, I would brood, Then weep aloud in a wild ecstasy.
114 페이지 - Half-hidden, like a mermaid in seaweed, Pensive awhile she dreams awake, and sees In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.
146 페이지 - When tides were neap, and, in the sultry day, Through the tall bounding mud-banks made their way, Which on each side rose swelling, and below The dark warm flood ran silently and slow; There anchoring, Peter chose from man to hide, There hang his head, and view the lazy tide In its hot slimy channel slowly glide...
104 페이지 - The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself; * Yea, all which it inherit, shall dissolve, And, like the baseless fabric of a vision, Leave not a wreck behind.