MacbethManchester University Press, 1992 - 162페이지 In this analysis of 'Macbeth' in performance, the author examines major productions of the play on both stage and screen, from the earliest performances by Garrick and Siddons through to Trevor Nunn's 1976 production. She invites the reader to reconsider the possibilities of the drama. |
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16 페이지
... Sisters ' . They are supernatural beings , or they are women who have gained super- natural foresight or powers through witchcraft . The powerful and compelling idea of weird sisters , so familiar from modern editions , appears nowhere ...
... Sisters ' . They are supernatural beings , or they are women who have gained super- natural foresight or powers through witchcraft . The powerful and compelling idea of weird sisters , so familiar from modern editions , appears nowhere ...
17 페이지
... Sisters viewed as mysterious beings , were part of the drama in the seventeenth century , perhaps as early as 1606 ( III.v , IV.i.39-43 ) . : Through excising songs , dances and Hecate , modern productions achieve unity of tone . But it ...
... Sisters viewed as mysterious beings , were part of the drama in the seventeenth century , perhaps as early as 1606 ( III.v , IV.i.39-43 ) . : Through excising songs , dances and Hecate , modern productions achieve unity of tone . But it ...
21 페이지
... Sisters , appears to be sinking into the earth ( as called for by Macbeth's description in IV.i.106 ) , while four shadowy figures of kings , with conventional ermine robes , crowns and sceptres , parade in the background from stage ...
... Sisters , appears to be sinking into the earth ( as called for by Macbeth's description in IV.i.106 ) , while four shadowy figures of kings , with conventional ermine robes , crowns and sceptres , parade in the background from stage ...
목차
Davenant and Betterton | 18 |
Chapter II | 40 |
Eric Porter and Janet Suzman directed by John Corrie | 64 |
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ambition appear audience audience's banquet scene Banquo beginning Bell Betterton blood camera castle cauldron scene character characterisation chiasmus closeup costumes crown dagger Davenant death director Dommett Donalbain dramatic Duncan's murder effect Evans evil face fear film film's Fleance Folio Garrick gentlewoman gesture ghost grooms hands Hecate I.iii I.vii Ian McKellen III.vi images interpretation IV.i Jane Lapotaire Janet Suzman Judi Dench Judith Anderson Judith Harte kill Duncan king Lady Macbeth Lady Macduff Laurence Olivier Lenox lines look Macbeth and Banquo Macbeth and Lady Malcolm McKellen mind move nature Nicol Williamson Nunn's Olivier's Orson performance play's Polanski Porter promptbook prophecy remorse reviewers robe role Rosse says Schaefer Scotland seems setting Seyton Shakespeare Shaw Siddons sleepwalking sleepwalking scene society soliloquy speech stage production Stratford-upon-Avon supernatural television thanes Theatre theatrical thought three witches throne tion tone Trevor Nunn violence Vivien Leigh voice Voodoo Welles's wife women