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Up by the wall, behind the yew; and thence That which he better might have shunned, if griefs

Like his have worse or better, Enoch saw.

For cups and silver on the burnished board
Sparkled and shone; so genial was the hearth;
And on the right hand of the hearth he saw
Philip, the slighted suitor of old times,
Stout, rosy, with his babe across his knees;
And o'er her second father stoopt a girl,
A later but a loftier Annie Lee,
Fair-haired and tall, and from her lifted hand
Dangled a length of ribbon and a ring

To tempt the babe, who reared his creasy arms,
Caught at and ever missed it, and they laughed :
And on the left hand of the hearth he saw
The mother glancing often toward her babe,
But turning now and then to speak with him,
Her son, who stood beside her tall and strong,
And saying that which pleased him, for he smiled.

Now when the dead man come to life beheld His wife his wife no more, and saw the babe Hers, yet not his, upon the father's knee, And all the warmth, the peace, the happiness, And his own children tall and beautiful, And him, that other, reigning in his place, Lord of his rights and of his children's love, Then he, though Miriam Lane had told him all, Because things seen are mightier than things heard, Staggered and shook, holding the branch, and feared

To send abroad a shrill and terrible cry, Which in one moment, like the blast of doom, Would shatter all the happiness of the hearth.

He therefore turning softly like a thief, Lest the harsh shingle should grate underfoot, And feeling all along the garden-wall, Lest he should swoon and tumble and be found, Crept to the gate, and opened it, and closed, As lightly as a sick man's chamber-door, Behind him, and came out upon the waste.

And there he would have knelt, but that his

knees

Were feeble, so that falling prone he dug His fingers into the wet earth, and prayed.

ALFRED TENNYSON.

LOVE'S YOUNG DREAM.

O THE days are gone when beauty bright
My heart's chain wove!

When my dream of life, from morn till night,
Was love, still love!

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'T was I that beat the bush,
The birds to others flew,
For she, alas! hath left me,
Falero, lero, loo.

If ever that Dame Nature,
For this false lover's sake,
Another pleasing creature

Like unto her would make; Let her remember this,

To make the other true,
For this, alas! hath left me,
Falero, lero, loo.

No riches now can raise me,
No want makes me despair,
No misery amaze me,

Nor yet for want I care;
I have lost a world itself,

My earthly heaven, adieu ! Since she, alas! hath left me, Falero, lero, loo.

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A something light as air, - a look,
A word unkind or wrongly taken,
O, love that tempests never shook,

A breath, a touch like this has shaken!
And ruder words will soon rush in
To spread the breach that words begin;
And eyes forget the gentle ray

They wore in courtship's smiling day;
And voices lose the tone that shed
A tenderness round all they said;
Till fast declining, one by one,
The sweetnesses of love are gone,
And hearts, so lately mingled, seem
Like broken clouds, - - or like the stream,
That smiling left the mountain's brow,

As though its waters ne'er could sever, Yet, ere it reach the plain below,

Breaks into floods that part forever.

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Of all the operas that Verdi wrote,

The best, to my taste, is the Trovatore ;
And Mario can soothe, with a tenor note,
The souls in purgatory.

The moon on the tower slept soft as snow;
And who was not thrilled in the strangest way,
As we heard him sing, while the gas burned low,
"Non ti scordar di me?"

The emperor there, in his box of state,
Looked grave; as if he had just then seen
The red flag wave from the city gate,

Where his eagles in bronze had been.

The empress, too, had a tear in her eye :

For one moment, under the old blue sky, To the old glad life in Spain.

Well there in our front-row box we sat Together, my bride betrothed and I ; My gaze was fixed on my opera hat,

And hers on the stage hard by.

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And both were silent, and both were sad;-
Like a queen she leaned on her full white arm,
With that regal, indolent air she had;

So confident of her charm!

I have not a doubt she was thinking then
Of her former lord, good soul that he was,
Who died the richest and roundest of men,
The Marquis of Carabas.

I hope that, to get to the kingdom of heaven,
Through a needle's eye he had not to pass;
I wish him well for the jointure given
To my lady of Carabas.

Meanwhile, I was thinking of my first love

As I had not been thinking of aught for years; Till over my eyes there began to move Something that felt like tears.

I thought of the dress that she wore last time,
When we stood 'neath the cypress-trees together,
In that lost land, in that soft clime,
In the crimson evening weather;

Of that muslin dress (for the eve was hot);
And her warm white neck in its golden chain;
And her full soft hair, just tied in a knot,
And falling loose again;

And the jasmine flower in her fair young breast;
(O the faint, sweet smell of that jasmine flower!)
And the one bird singing alone to his nest ;
And the one star over the tower.

I thought of our little quarrels and strife,
And the letter that brought me back my ring;
And it all seemed then, in the waste of life,
Such a very little thing!

For I thought of her grave below the hill,
Which the sentinel cypress-tree stands over :
And I thought, "Were she only living still,
How I could forgive her and love her!"

And I swear, as I thought of her thus, in that hour, And of how, after all, old things are best, That I smelt the smell of that jasmine flower Which she used to wear in her breast.

It smelt so faint, and it smelt so sweet,
It made me creep, and it made me cold!

You'd have said that her fancy had gone back Like the scent that steals from the crumbling sheet

again,

Where a mummy is half unrolled.

And I turned and looked: she was sitting there,
In a dim box over the stage; and drest
In that muslin dress, with that full soft hair,
And that jasmine in her breast!

I was here, and she was there;

And the glittering horse-shoe curved between:From my bride betrothed, with her raven hair And her sumptuous scornful mien,

To my early love with her eyes downcast,
And over her primrose face the shade,
(In short, from the future back to the past,)
There was but a step to be made.

To my early love from my future bride

One moment I looked. Then I stole to the door, I traversed the passage; and down at her side I was sitting, a moment more.

My thinking of her, or the music's strain,

Or something which never will be exprest, Had brought her back from the grave again, With the jasmine in her breast.

She is not dead, and she is not wed!

But she loves me now, and she loved me then! And the very first word that her sweet lips said, My heart grew youthful again.

The marchioness there, of Carabas,

She is wealthy, and young, and handsome still; And but for her . . . . well, we'll let that pass; She may marry whomever she will.

But I will marry my own first love,

With her primrose face, for old things are best; And the flower in her bosom, I prize it above The brooch in my lady's breast.

The world is filled with folly and sin,

And love must cling where it can, I say: For beauty is easy enough to win ;

But one is n't loved every day.

And I think, in the lives of most women and men, There's a moment when all would go smooth and even,

If only the dead could find out when
To come back and be forgiven.

But O the smell of that jasmine flower!
And O that music! and O the way

That voice rang out from the donjon tower,
Non ti scordar di me,

Non ti scordar di me!

ROBERT BULWER LYTTON.

TRANSIENT BEAUTY.

THE GIAOUR.

As, rising on its purple wing, The insect-queen of Eastern spring, O'er emerald meadows of Kashmeer, Invites the young pursuer near, And leads him on from flower to flower, A weary chase and wasted hour, Then leaves him, as it soars on high, With panting heart and tearful eye; So Beauty lures the full-grown child, With hue as bright, and wind as wild; A chase of idle hopes and fears, Begun in folly, closed in tears. If won, to equal ills betrayed, Woe waits the insect and the maid: A life of pain, the loss of peace, From infant's play and man's caprice; The lovely toy, so fiercely sought, Hath lost its charm by being caught; For every touch that wooed its stay Hath brushed its brightest hues away, Till, charm and hue and beauty gone, 'Tis left to fly or fall alone. With wounded wing or bleeding breast, Ah! where shall either victim rest? Can this with faded pinion soar From rose to tulip as before? Or Beauty, blighted in an hour, Find joy within her broken bower? No; gayer insects fluttering by Ne'er droop the wing o'er those that die, And lovelier things have mercy shown To every failing but their own, And every woe a tear can claim, Except an erring sister's shame.

WOMAN'S INCONSTANCY.

I LOVED thee once, I'll love no more, Thine be the grief as is the blame ; Thou art not what thou wast before, What reason I should be the same?

BYRON

He that can love unloved again, Hath better store of love than brain: God send me love my debts to pay,

While unthrifts fool their love away.

Nothing could have my love o'erthrown,
If thou hadst still continued mine;
Yea, if thou hadst remained thy own,
I might perchance have yet been thine.
But thou thy freedom did recall,
That if thou might elsewhere inthrall;
And then how could I but disdain
A captive's captive to remain ?

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