Informal Oral CompositionPalmer Company, 1922 - 188페이지 |
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xi 페이지
... Gino Sper- anza ( Atlantic Monthly ) . ( a ) Student Oral Composition Taken from This Ar- ticle 131 ( b ) Student Oral Composition Taken from Another SECTION 42. Plays Article Where We Stand , John Galsworthy TABLE OF CONTENTS xi.
... Gino Sper- anza ( Atlantic Monthly ) . ( a ) Student Oral Composition Taken from This Ar- ticle 131 ( b ) Student Oral Composition Taken from Another SECTION 42. Plays Article Where We Stand , John Galsworthy TABLE OF CONTENTS xi.
xii 페이지
George Pickett Wilson. SECTION 42. Plays Article Where We Stand , John Galsworthy ( Atlantic Monthly ) . PAGE 136 140 43. Suggested Sources of Plays for Oral Compositions .... 141 44. Poems .... 45. Suggested Poems for Oral Compositions ...
George Pickett Wilson. SECTION 42. Plays Article Where We Stand , John Galsworthy ( Atlantic Monthly ) . PAGE 136 140 43. Suggested Sources of Plays for Oral Compositions .... 141 44. Poems .... 45. Suggested Poems for Oral Compositions ...
20 페이지
... plays . ( 4 ) An oral composition . Lengthy and uninter- rupted parts of conversation that stick rather closely to one centralized thought would supply your need here . The Bible , Arabian Nights , and long discus- sions by one ...
... plays . ( 4 ) An oral composition . Lengthy and uninter- rupted parts of conversation that stick rather closely to one centralized thought would supply your need here . The Bible , Arabian Nights , and long discus- sions by one ...
21 페이지
... playing ; but no matter how well you can play in a natural way , you can improve your talent by taking instruction along the line of your particular gift . On the other hand , if nature has slighted you as a musician , you can , by ...
... playing ; but no matter how well you can play in a natural way , you can improve your talent by taking instruction along the line of your particular gift . On the other hand , if nature has slighted you as a musician , you can , by ...
33 페이지
... play the elo- cutionist , nor act the part of what you are saying . Use no previously thought - out gestures . You may indicate sizes , shapes , motions , and so on , just as you would in a conversation . Often you can better ...
... play the elo- cutionist , nor act the part of what you are saying . Use no previously thought - out gestures . You may indicate sizes , shapes , motions , and so on , just as you would in a conversation . Often you can better ...
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Abraham Acres alien Amaso Ameri American amoeba ancient arranging material Atlantic Monthly attempt audience Babylonian better canization character citizens clay clear conversation discussion Erech express fact feeling follow forget give given Hammurabi hearers honor human important informal interest Jane Jane Austen John William Mackail kind language Larsa laws League of Nations lectures library of Ashurbanipal listen Magazine Marduk Mark Twain matter means memory mental attention mental outline method mind Naram-Sin nation nature never Nippur occasion Old Testament person play poetry political practice public speech question re-tell remember rhetoric second form sentences Shamash Sippar Sir Lucius slave speaker speaking spirit Student Oral Composition suggestions Sumerian tablets talk talker tell temple things third form thou thought tion topics unto words writing written composition