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LITERATURE AND LIFE IN THE

HOMELAND

INTRODUCTION

It is a hard thing to picture to ourselves our Homeland. Is America just a lot of cities and towns and farms, or a collection of so many thousands of square miles of prairies and mountains, the sort of thing one would see from an airplane if one could get up high enough and had good enough eyes? Or is it a collection of states with queer boundary lines that look plainer on a map than they do when we cross them in the train? There are people who try to find America in some motto or symbol. One of our great cities has for its motto the words "I will," and the people who live in that city like to think that the enterprise by which they build great industries and give work to great numbers of people is the expression of their Americanism. And some people see in the Statue of Liberty in the New York harbor, a statue holding aloft a blazing torch to give light to all people, the symbol that best expresses the spirit of America.

Both the motto and the statue help us to see our country as something more than a part of a book called "Geography" or "History." Both of them express what America had always been to its citizens and what it became to the world in 1917. We did not desire to enter the war, but when it became necessary to do so no true American hesitated. There were great difficulties: an army to raise and equip and train so that it could meet an army that had been preparing for forty years to fight the world; an army to be transported over three thousand miles of water, a terrific task even in normal times, but made a hundred-fold harder because of the monsters that lurked under the sea waiting a chance to send a transport to the bottom. And once across, there were docks and railroads to be built and a great industrial organization to be set going. But the will of America was triumphant and the job was done. And the statue, like the "I will," is a symbol of the spirit in America that has helped the spirit of liberty throughout the world, so that we now know the day is

coming when all peoples, everywhere, shall be free. We can make a beginning, therefore, in our effort to form a picture of what America means, by thinking of this Statue of Liberty and of these words of high purpose, "I will."

But we must fill in the picture. No statue will do, for it, after all, is lifeless. No motto will do, for it is only a phrase, an inscription. A photograph on which you have written a date or the record of a happy meeting with your friend, is very interesting indeed, and helps you to call to mind your friend. But in reality the photograph merely suggests to you your friend and your happy times together. Your friend has many moods, now sad, now gay. Your friend looks different at different times. The history of your friendship has many events in it, and all these go together, a thousand details, to make up your own idea "this is my friend." So it is with America. History and legend, the knowledge of past events, must acquaint us with our country as with our friend. Infinite variety of mood she has, now stern and grave like her mountains, now placid like her vast expanse of prairie or her waving fields of grain; now laughing like the waters in the sunlight, or beautiful in anger as mighty storms sweep hill and plain. And infinite, again, are her activities great factories and mills, lofty office buildings filled with workers, trains speeding like mighty shuttles through vast distances, farms filled with growing food for a world. All these you must bring into your picture, and more, for infinite, also, are the ideals and hopes that go to make up this many-sided personality that we name Our Country.

The selections that follow will help you to make this picture that is to be more to us than a statue or a photograph. Some of them are little views, snapshots of our nation's childhood. Others are pictures of various moods or appearances of the later America. Some show the spirit of laughter in America; others give some of the songs of America; and at the end are a few pictures of America at work. All will help, but they are only an imperfect and brief introduction to a subject that is going to interest you all through your life: What is America to me, and what can I do to make her happy?

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To us it is given to behold in its full splendor what Columbus, like another Moses on the borders of the Land of Promise, could only discern in dim and distant outlines. And, therefore, with Italy, the land of his birth; with Spain, the land of his adoption; 5 with the other nations of the globe who are debtors to his daring, we gladly swell the universal chorus in his honor of praise and of thanksgiving.

In 1792 the ocean separated us by a journey of seventy days from Europe; our self-government was looked upon as a problem 10 still to be solved; at home, facilities of travel and of intercommunication were yet to be provided. More than this, the unworthy innuendoes, the base as well as baseless charges that sought to tarnish the fair fame of Columbus, had not been removed by patient historical research and critical acumen. For15 tunately, these clouds that gathered around the exploits of the great discoverer have been almost entirely dispelled, thanks especially to the initiative of a son of our Empire State, the immortal Washington Irving.

I beg to present Columbus as a man of science and a man of

faith. As a scientist, considering the time in which he lived, he eminently deserves our respect. Both in theory and in practice he was one of the best geographers and cosmographers of the age. According to reliable historians, before he set out to discover new 5 seas, he had navigated the whole extent of those already known. Moreover, he had studied so many authors and to such advantage that Alexander von Humboldt affirmed: "When we consider his life we must feel astonishment at the extent of his literary acquaintance."

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Columbus took nothing for granted. While he bowed reverently to the teachings of his faith, he brushed away as cobwebs certain interpretations of Scripture more fanciful than real, and calmly maintained that the Word of God cannot be in conflict with scientific truth. The project of bearing Christ over the 15 waters sank deeply into his heart. Time and again he alludes to it as the main object of his researches and the aim of his labors. Other motives of action undoubtedly he had, but they were a means to an end.

Moreover, may we not reasonably assume that the great navi20 gator, after all, was a willing instrument in the hands of God? The old order was changing. Three great inventions, already beginning to exert a most potent influence, were destined to revolutionize the world-the printing-press, which led to the revival of learning; the use of gun-powder, which changed the methods of 25 warfare; the mariner's compass, which permitted the sailor to tempt boldly even unknown seas.

These three great factors of civilization, each in its own way, so stimulated human thought that the discovery of America was plainly in the designs of that Providence which "reacheth from so end to end mightily and ordereth all things sweetly."

NOTES AND QUESTIONS

Biography. Michael Augustine Corrigan (1839-1902) was born in Newark, New Jersey. He became Archbishop of New York and was a distinguished Prelate. This selection is taken from a Columbus Day address he gave in Chicago in 1892.

Discussion. 1. Explain the comparison found in the second line. 2. What claims does the author make for Columbus as a scientific man?

3. What great inventions occurred previous to Columbus's voyage that affected his discovery of America? 4. Do you think the spirit of adventure had something to do with Columbus's discovery? Pronounce the following: government; acumen; exploits; geographers; alludes.

unworthy innuendoes, 405, 11

critical acumen, 405, 14

Phrases

potent influence, 406, 22
factors of civilization, 406, 27

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THE LANDING OF THE PILGRIM FATHERS

FELICIA HEMANS

The breaking waves dashed high

On a stern and rock-bound coast,
And the woods against a stormy sky
Their giant branches tossed;

And the heavy night hung dark

The hills and waters o'er,

When a band of exiles moored their bark

On the wild New England shore.

Not as the conqueror comes,
They, the true-hearted, came;
Not with the roll of the stirring drums,
And the trumpet that sings of fame;

Not as the flying come,

In silence and in fear;

They shook the depths of the desert gloom
With their hymns of lofty cheer.

Amidst the storm they sang,

And the stars heard and the sea;

And the sounding aisles of the dim woods rang

To the anthem of the free!

The ocean eagle soared

From his nest by the white wave's foam;
And the rocking pines of the forest roared—
This was their welcome home!.

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