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Thou foster-child of Silence and slow Time.

Ode on a Grecian Urn.

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tone.

Beauty is truth, truth beauty, that is all
Ye know on earth, and all ye need to know.

Hear ye not the hum

Of mighty workings?

Ibid.

Ibid.

Addressed to Haydon.

Then felt I like some watcher of the skies
When a new planet swims into his ken ;
Or like stout Cortez when with eagle eyes
He stared at the Pacific,—and all his men
Looked at each other with a wild surmise,
Silent, upon a peak in Darien.

On first looking into Chapman's Homer.
E'en like the passage of an angel's tear
That falls through the clear ether silently.

To One who has been long in City pent.

The poetry of earth is never dead.

On the Grasshopper and Cricket.

J. HOWARD PAYNE.

1792-1852.

'Mid pleasures and palaces though we may roam, Be it ever so humble, there's no place like home.1 Home, Sweet Home.2

1 "Home is home, though it be never so homely," is a proverb, and is found in the collections of the seventeenth century.

2 From the opera of Clari, the Maid of Milan.

CHARLES WOLFE. 1791-1823.

Not a drum was heard, not a funeral note,
As his corse to the rampart we hurried.

The Burial of Sir John Moore.

But he lay like a warrior taking his rest,

With his martial cloak around him.

Slowly and sadly we laid him down,

From the field of his fame fresh and gory;
We carved not a line, and we raised not a stone,
But we left him alone with his glory.

If I had thought thou couldst have died,
I might not weep for thee;
But I forgot, when by thy side,

That thou couldst mortal be.

Go, forget me, - why should sorrow
O'er that brow a shadow fling?
Go, forget me, and to-morrow
Brightly smile and sweetly sing.

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Smile, though I shall not be near thee; though I shall never hear thee.

Sing,

Ibid.

Ibid.

To Mary.

Go, forget me.

RICHARD HENRY WILDE.

My life is like the summer rose,

That opens to the morning sky,
But ere the shades of evening close
Is scattered on the ground-to die.

1789-1847

My life is like the summer rose.

JOHN KEBLE. 1792-1866.

The trivial round, the common task,
Would furnish all we ought to ask.

Why should we faint and fear to live alone,

Morning.

Since all alone, so Heaven has willed, we die, Nor even the tenderest heart, and next our own, Knows half the reasons why we smile and sigh? The Christian Year. Twenty-fourth Sunday after Trinity.

'T is sweet, as year by year we lose
Friends out of sight, in faith to muse
How grows in Paradise our store.

Abide with me from morn till eve,
For without Thee I cannot live;
Abide with me when night is nigh,
For without Thee I dare not die.

Burial of the Dead.

Evening.

EDWARD EVERETT. 1794-1865.

When I am dead, no pageant train
Shall waste their sorrows at my bier,

Nor worthless pomp of homage vain
Stain it with hypocritic tear.

You shall not pile, with servile toil,
Your monuments upon my breast,
Nor yet within the common soil

Alaric the Visigoth.

Lay down the wreck of power to rest, Where man can boast that he has trod On him that was "the scourge of God."

Ibid.

THOMAS CARLYLE. 1795-1881.

Literary men are a perpetual priesthood.

State of German Literature. Edinburgh Review, 1827. Clever men are good, but they are not the best. Goethe. Ibid., 1828.

We are firm believers in the maxim that, for all right judgment of any man or thing, it is useful, nay, essential, to see his good qualities before pronouncing on his bad.

Ibid.

How does the poet speak to men with power, but by being still more a man than they? Burns. Ibid., 1828.

Ibid.

A poet without love were a physical and metaphysical impossibility. His religion at best is an anxious wish, like that of Rabelais, a great Perhaps.

Ibid.

We must repeat the often repeated saying, that it is unworthy a religious man to view an irreligious one either with alarm or aversion; or with any other feeling than regret, and hope, and brotherly commiseration. Voltaire. Foreign Review, 1829. There is no life of a man, faithfully recorded, but is a heroic poem of its sort, rhymed or unrhymed.

Sir Waiter Scott. London and Westminster Review, 1838. Silence is deep as Eternity; speech is shallow as Time.

Ibid.

It can be said of him, when he departed, he took a man's life with him. No sounder piece of British manhood was put together in that eighteenth century of time.

Ibid.

The eye of the intellect "sees in all objects what it brought with it the means of seeing."

Varnhagen Von Ense's Memoirs. Ibid.

TALFOURD. — POLLOK.

507

THOMAS NOON TALFOURD. 1795-1854.

So his life has flowed

From its mysterious urn a sacred stream,
In whose calm depth the beautiful and pure
Alone are mirrored; which, though shapes of ill
May hover round its surface, glides in light,
And takes no shadow from them.

"T is a little thing

Ion. Act i. Sc. 1.

To give a cup of water; yet its draught
Of cool refreshment, drained by fevered lips,
May give a shock of pleasure to the frame
More exquisite than when nectarean juice
Renews the life of joy in happiest hours.

Act i. Sc. 2.

ROBERT POLLOK. 1799-1827.

Sorrows remembered sweeten present joy.

The Course of Time. Book i. Line 464.
"the Ocean's mane,"

He laid his hand upon
And played familiar with his hoary locks.1

He was a man

Book iv. Line 389.

Who stole the livery of the court of Heaven

To serve the Devil in.

With one hand he put

A penny in the urn of poverty,

And with the other took a shilling out.

Book viii. Line 616.

Line 632.

1 See Byron, Childe Harold, Canto iv. Stanza 184. Page 478.

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