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P. 35. “ — they perceived the air to break about them "
- they perceived the air break about them " — adding that we had but this "
- adding we bad but this—". P. 36. “ — as to let them be often desired, and long ex
“ – as to let them be often called for, and long
expected.” Ibid. “- a funeral elegy on the duke.”
The original edition has—" upon the duke.” In almost every other passage where the preposition upon occurs, it is changed in the second copy, as in the present instance, to on. Ibid. “ — wherein after they have crowned his valour
with many laurels, they will at last deplore” " — and after they have crowned, &c. at last
deplore." P. 37. “ I would not have them worse used than one of
their brethren was by Sylla the Dictator." " — I would not have them worse used than Sylla
the Dictator did one of their brethren.” Ibid. " — one who is so much a well-wisher to the satire,
that he intends at least to spare no man; and
though, &c. yet he ought to be punished—” “ – one that is so much a well-wisher to the
satire, that he spares no man; and though, &c.
yet ought to be punished .” P. 39. “ - especially him whom 'you first described ”
“ – especially him who you first described.” Ibid. " — but what will you say, if he has been received
amongst great persons. I can assure you he is
at this day the envy of one who~" " — but what will you say, if he has been received amongst the great ones. I assure you he is at
this day the envy of a person whom" . P. 40.“ – I cannot think so contemptibly of the age in
. which I live" "— I cannot think so contemptibly of the age I
live in—-.” P 41. " — Crites -.- told Eugenius that if he pleased—”
“ – Crites ... told Eugenius that he approved
his proposition, and if he pleased, &c.” P. 42: “ — as we have many now living, or who lately
were. " " -- as we have many now living, or who lately
were so." P. 45.“ yet wishing they had it, that desire is incitement
enough—" " -- yet wishing they had it, it is incitement
enough.” “ – if yet they had ability to go through the work.”
if yet they had ability to go through with
it_" Ibid. “ - of which none boast in this our age-"
“ – which none boast of in this our age-". In like manner, in various instances where the prepo. sition had been improperly placed at the end of the sentence, he corrected the error in the second copy. P. 47. “ — that all the parts of it are (as near as may be)
to be equally subdivided—”. " --- that all the parts of it are to be equally
subdivided.” P. 48." -- they suffer you not to behold him till he is in
sight of the goal"
P. 49. “- he who enters second, has business with him who
was on before; and before the second quits the stage,
a third appears who has business with him." " — he that enters second, &c.-a third appears
who has business with the first.” P. 51. “ — so long as Aristophanes and Plautus are
extant," " — so long as Aristophanes in the old, and Plautus
in the new comedy,” &c. Ibid. "the wit of which depended upon some custom or
" — whose wit depended on some custom,” &c. P. 52. “ — whether you consider the bad plays of our age,
or regard the good plays of the last, both the best and worst of the modern poets will instruct you to
admire the ancients." " — whether you consider the bad plays of our
age, or the good ones of the last, &c.—to respect
the ancients.” P. 54. “ – Thirdly, the Catastasis, called by the Romans,
Status, the height and full growth of the play;
we may call it properly the Counterturn—"
" - Thirdly, the Catastasis, or Counterturn—" P. 56. “ — till he was to come with his eyes pulled out, to
speak a hundred or more verses~" “ – till, &c. to speak a hundred or two of
verses ," P. 57. “ – kind in nature to his mistress—".
“ – kind in nature to his wench—," Ibid.
" — the old Elizabeth way, which was for maids to
be seen," &c. “ – the old Elizabeth way, for maids to be
P. 58. “ His Heautontimorumenos --- takes up visibly two
days, says Scaliger; the two first acts concluding
the first day; the three last the day ensuing—," “ — His Heautontimorumenos ..-- two days;
therefore, says Scaliger, the two first acts concluding the first day, were acted over-night, the
three last on the ensuing day." P. 59. " — to give ample relation of the disorders he has
raised -" " -- to give ample relation of the garboils he has
raised ," P. 60. “ — which, by the way, was very inartificial, be.
cause" &c. “ – which, by the way, was very inartificial to
do, because”—&c. P. 62. “ — the elegancy of which - ... beaves an impression
on our souls.” " — the elegancy, of which .... leaves an im
pression of the wit upon our souls. P. 66. “ — as the women in Juvenal's time used to cry out
in the fury of their lust. Any sudden gust,” &c. “ – as the women in Juvenal's time used to cry
out in the fury of their lust. Then indeed to speak sense were an offence. Any sudden gust,”
P. 77.“ — a deeper impression of belief in us than all the
actor can insinuate into us.” " — a deeper, &c. than all the actor can persuade
P. 81. " -- and make him punish himself with harder
fare ---- to get up again what he had lost.” " – and make him, &c. to get it up again.”
P. 87. “ — and their actors speak by the hour-glass, like
“ — and their actors, &c. as our parsons do.” P. 88. “ — with a speech of an hundred lines.”
“ – with a speech of an hundred or two hundred
lines," Ibid. “ – to a much higher degree of perfection than the
French poets can reasonably hope to reach.” “ – to a much, &c. ---- than the French poets
can arrive at." P. 89. “ --- for there appear two actions in the play—"
“ for there appears two actions,” &c. P. 90.“ — that the French have reason to hide .... and
to choose,” &c. “ that the French have reason when they hide, ---,
and choose," &c. P. 94. " — and thrusts him into a place of safety, which
is supposed to be her closet.” " — and thrusts him through a door, which is
supposed to be her closet.” P. 96. “- epecially if you read his Sad Shepherd—”.
: “ – especially if you look upon his Sad Shepherd." 99.“ – but he would produce it much better done in
Shakspeare." I “— but he would produce it much better treated
of in Shakspeare." P.101.“ – no poet before them could paint as they have
“ – no poet can ever paint as they have done.” P. 103.“ — he weaved it too closely and laboriously, in his
comedies especially.” . “ — he weaved it too closely and laboriously, in
his serious plays especially.”