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This dialogue is not found in Painter's Romeo and Julietta.
MALONE. 564. - should be thoughts, &c.] The speech is thus continued in the quarto, 1597:
-should be thoughts,
What says my love ?-
STEEVENS. 586. Fie, how my bones ache!what a jaunt have I had ?] This is the reading of the folio. The quartos read :
-what a jaunce have I had ? The two words appear to have been formerly synonymous. See King Richard II. “ Spur-gall'd and tir'd by jauncing Bolingbroke."
MALONE. The signification of these two words is obviously different. 607. No, no: but all this did I know before ;
What says he of our marriage ? what of that?] So, in The Tragicall Hystory of Romeus and Juliet, 1562: “ Tell me else what, quoth she, this evermore I
thought, ** But of our marriage, say at once, what answer have you brought ?"
641. This scene was entirely new formed: the reader
may be pleased to have it as it was at first written :
Rom. Now, father Lawrence, in thy holy grant,
Consists the good of me and Juliet.
To make you happy, if in nie it lie.
And come she will.
See where she comes !
Of love and joy, see, see the sovereign power!
(Clos'd in night's mists) attend the frolick day,
And thou art come.
fair. Rom. All beauteous fairness dwelleth in thine
eyes. Jul. Romeo, froin thine all brightness doth arise.
Friar. Come, wantons, come; the stealing hours
do pass ;
Defer embracements to some fitter time;
Rom. Lead, holy father, all delay seems long.
STEEVENS. 655. Too swift arrives] He that travels too fast, is as long before he comes to the end of his journey, as he that travels slow. Precipitation produces mishap.
JOHNSON 656. Here comes the lady, &c.] However the poet might think the alteration of this scene on the whole to be necessary, I am afraid, in respect of the passage before us, he has not been very successful. The violent hyperbole of never wearing out the everlasting flint, appears to me not only more reprehensible, but even less beautiful than the lines as they were originally written, where the lightness of Juliet's motion is accounted for from the cheerful effects the passion of love produced in her mind.
STEEVENS. 658. A louer may bestride the gossamer.] The gossamer is the long white filament which lies in the
air in summer. So, in Hannibal and Scipio, 1637, by
- Fine as Arachne's web, or gossamer,
1 STEEVENS. 673. I cannot sum up half my sum of wealth.] The old copies read :
I cannot sum up sum of half my wealth,
The day is hot,–] It is observed, that in Italy almost all assassinations are committed during the heat of summer.
JOHNSON. 31. These two speeches have been added since the first quarto, together with some few circumstances in the rest of the scene, as well as in the ensuing one.
74. A la stoccata-] Sloccata is the Italian term for a thrust or stab with a rapier. So, in The Devil's Charter, 1607 :
“ He makes a thrust; I with a swift passado
STEEVENS. 80. Will you pluck your sword out of his pilcher by the ears?] We should read pilche, which signifies a cloke or coat of skins, meaning the scabbard.
WARBURTON The old quarto reads scabbard. Dr. Warburton's explanation is, I believe, just. Nash, in Pierce Pennyless his Supplication, 1595, speaks of a carman in a leather pilche. Again, in Decker's Satiromastix:
“ I'll beat five pounds out of his leather pilch." Again,
«« Thou hast forgot how thou ambled'st in a leather pilch, by a play-waggon in the highway, and took 'st mad Jeronimo's part, to get service among the mic micks." It
appears from this passage, that Ben Jonson acted the part of Hieronimo in the Spanish tragedy, the speech being addressed to Horace, under which character old Ben is ridiculed.
STEEVENS. a grave man.] After this, the quarto, 1597, continues Mercutio's speech as follows : A pox o' both your houses ! I shall be fairly
four men's shoulders for your house of the Montagues and the Capulets : and then some pleasantly roglie, some sexion, some base slave, shall