The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002. 1. 1. - 347페이지 Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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xxiii 페이지
... cultures were never what they seemed to be,” in the hallowed gestures or ceremo- nial practices that, like the soft movements of the Tai Chi Chuan, have been drawn into the orbit of performance in the West. Introduction xxiii.
... cultures were never what they seemed to be,” in the hallowed gestures or ceremo- nial practices that, like the soft movements of the Tai Chi Chuan, have been drawn into the orbit of performance in the West. Introduction xxiii.
1 페이지
... never quite forgiven me.1 At the time I stopped my theater work, after more than thirty-five years of it, I wrote a book on the activating pre- tense (or enabling fantasy) that what, in the last phase of that work espe- cially, had been ...
... never quite forgiven me.1 At the time I stopped my theater work, after more than thirty-five years of it, I wrote a book on the activating pre- tense (or enabling fantasy) that what, in the last phase of that work espe- cially, had been ...
2 페이지
... never trusted itself. That is a suggestion taken up in the work I did at the end (with the experimental group kraken) and the book derived from it (dedicat- ed to Ruby), which initiated, in a period suspicious of ontology, a sort of ...
... never trusted itself. That is a suggestion taken up in the work I did at the end (with the experimental group kraken) and the book derived from it (dedicat- ed to Ruby), which initiated, in a period suspicious of ontology, a sort of ...
5 페이지
... imperatives , sub- ject and object . . . . ” 5 Yet , with faith so foundering , will miracles never cease ? For in its exhaustive enumeration of the exhaustion of value, its apparently hap- Afterthought from the Vanishing Point 5.
... imperatives , sub- ject and object . . . . ” 5 Yet , with faith so foundering , will miracles never cease ? For in its exhaustive enumeration of the exhaustion of value, its apparently hap- Afterthought from the Vanishing Point 5.
6 페이지
... never quite admissible, certainly not in their en- tirety, to a party platform in any democratic society of the postindustrial world. Yet, not long before the levees on the Mississippi were also break- ing down (happening as I write) ...
... never quite admissible, certainly not in their en- tirety, to a party platform in any democratic society of the postindustrial world. Yet, not long before the levees on the Mississippi were also break- ing down (happening as I write) ...
목차
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York