The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, 1권C. and A. Conrad & Company, 1809 |
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13 페이지
... observation such another habit has not occurred . Marshall , when he engraved from the same portrait , materially altered its paraphernalia , and , perhaps , because he thought a stage garb did not stand so cha- racteristically before a ...
... observation such another habit has not occurred . Marshall , when he engraved from the same portrait , materially altered its paraphernalia , and , perhaps , because he thought a stage garb did not stand so cha- racteristically before a ...
14 페이지
... observed , that its unwelcome ri- val exhibited not a single trait of Shakspeare . But , all on a sud- den , these criticks have shifted their ground ; and the represen- tation originally pronounced to have been so unlike our author ...
... observed , that its unwelcome ri- val exhibited not a single trait of Shakspeare . But , all on a sud- den , these criticks have shifted their ground ; and the represen- tation originally pronounced to have been so unlike our author ...
15 페이지
... observation would have carried weight with it , had the lines in question been anonymous . But the subscription of Ben Jonson's name was a circumstance that rendered him immediately responsible for the propriety of an encomium which ...
... observation would have carried weight with it , had the lines in question been anonymous . But the subscription of Ben Jonson's name was a circumstance that rendered him immediately responsible for the propriety of an encomium which ...
18 페이지
... observe that , contrary to former usage , no head of Shakspeare is prefixed to the present edition of his plays . The undisguised fact is this . The only portrait of him that even pretends to authenticity , by means of injudicious ...
... observe that , contrary to former usage , no head of Shakspeare is prefixed to the present edition of his plays . The undisguised fact is this . The only portrait of him that even pretends to authenticity , by means of injudicious ...
19 페이지
... observe with our author , that the 66 bastard son " Was kinder to his father , than his daughters " Got ' twixt the ... observed that he " cannot sup- pose Shakspeare to have been the father of a Doctor of Divinity who never laughed ...
... observe with our author , that the 66 bastard son " Was kinder to his father , than his daughters " Got ' twixt the ... observed that he " cannot sup- pose Shakspeare to have been the father of a Doctor of Divinity who never laughed ...
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acquainted ancient appears baptized Ben Jonson buried Cæsar censure character comedy conjecture corrupted criticism daughter death died dramatick edition editor Edward Nash Elizabeth English engraving errors favour genius gentleman give Hamlet hath honour imitation John Barnard Jonson Julius Cæsar King Henry King Lear labour language late Latin learning likewise living Love's Labour's Lost Malone married Nash nature never notes obscure observed opinion original passages perhaps pieces players plays poem poet poet's Pope portrait praise present printed publick published quarto reader Richard Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's shew Sir John stage Steevens Stratford Stratford-upon-Avon suppose theatre thee Theobald thing Thomas Thomas Nash Thomas Quiney thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth unto verse William Shakspeare words writer written
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150 페이지 - He was the man who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
76 페이지 - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
71 페이지 - ... loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed; honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
350 페이지 - And joyed to wear the dressing of his lines, Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family.
348 페이지 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
359 페이지 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
41 페이지 - And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him...
176 페이지 - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.
122 페이지 - ... in the virtuous a disapprobation of the wicked ; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
273 페이지 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.