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도서 But when such persons are introduced as principal actors, and engaged in a series...에 대해 검색한
" But when such persons are introduced as principal actors, and engaged in a series of adventures, they take too much upon them, and are by no means proper for an heroic poem, which ought to appear credible in its principal parts. "
A Familiar Explanation of the Poetical Works of Milton: To which is Prefixed ... - 115 페이지
저자: John Milton, William Dodd - 1762 - 144 페이지
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... Areopagitica: 24 November 1644. Preceded by Illustrative Documents ...

John Milton - 1869 - 588 페이지
...after an unufual and entertaining Manner. But when fuch Perlons are introduced as principal Aciors, and engaged in a Series of Adventures, they take too...improper Agents in a Work of this Nature, as Strength and VioLnce \_Xcc jjity\ in one of the Tragedies of Efchylus, who rcprefented thofe two Perfons nailing...
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... Criticism on Milton's Paradise Lost: From 'The Spectator'. 31 December ...

Joseph Addison - 1863 - 206 페이지
...after an unufual and entertaining Manner. But when fuch Perfons are introduced as principal Adtors, and engaged in a Series of Adventures, they take too...improper Agents in a Work of this Nature, as Strength and Violence \Neccffity\ in one of the Tragedies of Efchylns, who reprefented thofe two Perfons nailing...
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Criticism on Milton's Paradise Lost: From The Spectator, 31 December, 1711-3 ...

Joseph Addison - 1869 - 164 페이지
...particular Circumflances to the Reader afler an unufual and entertaining Manner. But when fuch Perlons are introduced as principal Actors, and engaged in...improper Agents in a Work of this Nature, as Strength and Violence [Neccffity] in one of the Tragedies of Efchylus, who reprefented thofe two Perfons nailing...
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The Spectator

Joseph Addison - 1870 - 688 페이지
...unusual and entertaining manner. But when such persons are introduced as principal actors, andvengaged in a series of adventures, they take too much upon...improper agents in a work of this nature, as Strength and Necessity in one of the tragedies of JEschylus, who represented those two persons nailing down Prometheus...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 236 페이지
...as principal actors, and engaged in a series of adventures, they take too much upon them, and are 15 by no means proper for an heroic poem, which ought...improper agents in a work of this nature, as Strength and Necessity 2 in one of the tragedies of yEschylus, who represented 20 those two persons nailing down...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 234 페이지
...particular circumstances to the reader after an unusual and entertaining manner. But when such persons are introduced as principal actors, and engaged in...adventures, they take too much upon them, and are 15 by no means proper for an heroic poem, which ought to appear credible in its principal parts. I...
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Criticisms on Paradise Lost

Joseph Addison - 1892 - 238 페이지
...particular circumstances to the reader after an unusual and entertaining manner. But when such persons are introduced as principal actors, and engaged in...adventures, they take too much upon them, and are 15 by no means proper for an heroic poem, which ought to appear credible in its principal parts.XI...
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The Principles of Criticism: An Introduction to the Study of Literature

William Basil Worsfold - 1897 - 308 페이지
...as when he tells us, that Victory sat on the Right Hand of the Messiah. . . . But when such Persons are introduced as principal Actors, and engaged in...much upon them, and are by no means proper for an Heroick Poem, which ought to appear credible in its principal Parts.' Addison finds three defects in...
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The Spectator, 1권

George Gregory Smith - 1898 - 318 페이지
...particular Circumstances to the Reader after an unusual and entertaining Manner, But when such Persons are introduced as principal Actors, and engaged in...in its principal Parts, I cannot forbear therefore think' ing that Sin and Death are as improper Agents in a Work of this Nature, as Strength and Necessity...
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Milton

Samuel Johnson - 1907 - 172 페이지
...particular circumstances to the reader after an unusual and entertaining manner. But when such persons are introduced as principal actors, and engaged in...improper agents in a work of this nature, as Strength and Necessity in one of the tragedies of Aeschylus, who represented those two persons nailing down Prometheus...
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