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도서 This maxim was no sooner received, but we immediately fell to translating the Italian...에 대해 검색한
" This maxim was no sooner received, but we immediately fell to translating the Italian operas ; and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely foreign... "
The American Review of History and Politics, and General Repository of ... - 159 페이지
1812
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Addison

William John Courthope - 1902 - 200 페이지
...there was no great danger," says he, " of hurting the sense of these extraordinary pieces, our authors would often make words of their own which were entirely...of them might go to the same tune. Thus the famous Bong in, Camilla, ' Barbara si t'intendo,' etc. 4 Barbarous woman, yes, I know your meaning," which...
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English Humorists of the Eighteenth Century: Sir Richard Steele, Joseph ...

1906 - 578 페이지
...; and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...same tune. Thus the famous song in Camilla, "Barbara si t' intendo," &c. "Barbarous woman, yes, I know your meaning," which expresses the resentments of...
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Addison

Joseph Addison - 1906 - 584 페이지
...; and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...might go to the same tune. Thus the famous song in Camilla11, Barbara, si, Nintendo, etc. Barbarous woman, yes, I know your meaning; which expresses the...
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Selections from the Works of Joseph Addison

Joseph Addison - 1906 - 414 페이지
...would often make words of their own which were * entirely 25 foreign to the meaning of the passages 5 they pretended to translate ; their chief care being...same tune. Thus the famous song in Camilla, Barbara, si, t'intendo, etc. Barbarous woman, yes, I know your meaning, which expresses the resentments of an...
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 페이지
...operas; and as there was no danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...same tune. Thus the famous song in Camilla, Barbara, si, t'intendo, etc. Barbarous woman, yes, I know your meaning, which expresses the resentments of an...
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 754 페이지
...operas; and as there was no danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...same tune. Thus the famous song in Camilla, Barbara, si, t'intendo, etc. Barbarous woman, yes, I know your meaning, which expresses the resentments of an...
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Readings in English Prose of the Eighteenth Century

Raymond Macdonald Alden - 1911 - 744 페이지
...operas; and as there was no danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...same tune. Thus the famous song in Camilla, Barbara, si, t'intendo, etc. Barbarous woman, yes, I know your meaning, which expresses the resentments of an...
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The Spectator, 1-2권

Joseph Addison, Sir Richard Steele - 1915 - 710 페이지
...Pieces, our Authors would often make Words Words of their own which were entirely foreign to the No. 18. Meaning of the Passages they pretended to translate...English Verse answer to those of the Italian, that both 1711, of them might go to the same Tune, Thus the famous Song in Camilla, Barbara si t'intendo £c,...
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Selected Essays on Opera

Ulrich Weisstein - 2006 - 402 페이지
...operas, and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...meaning of the passages they pretended to translate". Auf der dritten und letzten Stufe schlieBlich schlug das Groteske dieses Zwischenstadiums ganzlich...
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