...we are neither in Rome nor Pontus : that neither Mithridates nor Lucullus are before us. The drama 0 W*am B Cj ܲH"! L N z 9 @a JF 7 Time is, of all modes of existence, most obsequious to the imagination ; a lapse of years is as easily...

...are neither in Itonie nor I'nntus : that neither Milhridiiles nor Lncnllus are before us. The drama z'd : Steal Hut he of comfort. •2 Off. Come, sir,...away. Ant. I must entreat of you some of that money aclion (hat happened years after the first; if it be so connected wilh it, that nothing but lime can...

...we are neither in Rome nor Pontus ; that neither Mithridates nor Lucullus are before us. The drama exhibits successive imitations of successive actions,...lapse of years is as easily conceived as a passage of boars. In contemplation we easily contract the time of real actions, and therefore willingly permit...

...we are neither in Romc nor Pontus — that neither Mithridates nor Lucullus are before UB. The drama exhibits successive imitations of successive actions,...be so connected with it that nothing but time can bo supposed to intervene 1 Time ia, of all modes of existence, most obsequious to the imagination í'...

...we are ncither in Rome nor Pontus — that ncither Mithridates nor Lucullus are before us. The drama exhibits successive imitations of successive actions,...action that happened years after the first, if it be so connccted with it that nothing but time can be supposed to intervene ! Time is, of all modes of existence,...

...Mithridates nor Lucullan is before u.<— The drama exhibit* successive imitations of successive action*; and why may not the second imitation represent an...first, if it be so connected with it that nothing bat time can bo supposed to intervene ? Time is, of all modes of exist- ' ence, most obsequious to...

...for of so much of the action as is represented, the real and poetical duration is the same The drama exhibits successive imitations of successive actions...imagination ; a lapse of years is as easily conceived as a lapse of hours." In the rude exhibitions of the English stage before Shakspere, the violation of the...

...for of so much of the action as is represented, the real and poetical duration is the same The drama exhibits successive imitations of successive actions...first, if it be so connected with it, that nothing but tune can be supposed to intervene. Time is, of all modes of existence, most obsequious to the imagination...

...are neither in Home nor Pontus, — that neither Mithridates nor Lucullus are before us. The drama exhibits successive imitations of successive actions,...that nothing but time can be supposed to intervene f Time is, of all modes of existence, most obsequious to the imagination ; a lapse of years is as easily...

...we are neither in Rome nor Pontus : that neither Mithridates nor Lucullus are before us. The drama o / inott obsequious to the imagination ; a lapse of years is as easily conceived as a passage of hours,...