 From the narrow limitation of time necessarily arises the contraction of place. The spectator who knows that he saw the first act at Alexandria cannot suppose that he sees the next at Rome, at a distance to which not the dragons of Medea could in so short...  The Winter's Tale - 381 페이지저자: William Shakespeare - 1898 - 432 페이지전체보기 - 도서 정보
 | William Shakespeare - 1898 - 456 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. ' From the narrow limitation of time necessarily arises...Alexandria, cannot suppose that he sees the next in Rom;, at a distance to which not the dragons of Medea could, in so short a time, have transported him... | |
 | William Shakespeare - 1898 - 460 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. ' From the narrow limitation of time necessarily arises...saw the first act in Alexandria, cannot suppose that be sees the next in Rome, at a distance to which not the dragons of Medea could, in so short a time,... | |
 | Robert Chambers - 1902 - 864 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. From the narrow limitation of time necessarily arises the contraction of place. The spectator, who know» that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a... | |
 | David Nichol Smith - 1903 - 450 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. From the narrow limitation of time necessarily arises...The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a distance to which not the dragons... | |
 | David Nichol Smith - 1903 - 434 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. From the narrow limitation of time necessarily arises...The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a distance to which not the dragons... | |
 | Walter Cochrane Bronson - 1905 - 422 페이지
...from evident falsehood, and fiction loses its force when it departs from the resemblance of reality. From the narrow limitation of time necessarily arises...The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at 30 Rome, at a distance to which not the dragons... | |
 | Ludwig Herrig - 1906 - 844 페이지
...departs from the resemblance of reality. ao From the narrow limitation of time necessarily arises now the contraction of place. The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he e& sees the next at Rome, at a distance to which not the dragons... | |
 | Samuel Johnson - 1908 - 254 페이지
...from evident falsehood, and fiction -loses its force when it departs from the resemblance of reality. From the narrow limitation of time necessarily arises...The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a distance to which not the dragons... | |
 | Doris Gunnell - 1909 - 346 페이지
...pendant que des STENDHAL ET L'ANGLETERRE force when il departs from the resemblance of reality. From Ihe narrow limitation of time necessarily arises the contraction...The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a distance to which not the dragons... | |
 | William Caxton, Jean Calvin, Nicolaus Copernicus, Francis Bacon, Edmund Spenser, Sir Walter Raleigh, Isaac Newton, Henry Fielding, Samuel Johnson, Johann Wolfgang von Goethe, William Wordsworth, Walt Whitman - 1910 - 458 페이지
...from the resemblance of reality. From the narrow limitation of time necessarily arises the contracdon of place. The spectator, who knows that he saw the first act at Alexandria, cannot suppose that he sees the next at Rome, at a distance to which not the dragons... | |
| |
