검색 이미지 지도 Play YouTube 뉴스 Gmail 드라이브 더보기 »
로그인
도서 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here,...에 대해 검색한
" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
The dramatic works of William Shakspeare - 44 페이지
저자: William Shakespeare - 1814
전체보기 - 도서 정보

Medicine, Mythology and Spirituality: Recollecting the Past and Willing the ...

Ralph Twentyman - 2004 - 118 페이지
...play for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not...broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! Hamlet (Act 2, Scene ii) When we realize that...
일부보기 - 도서 정보

Rhetoric and Renaissance Culture

Heinrich F. Plett - 2004 - 581 페이지
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
일부보기 - 도서 정보

Theatre and Entertainment

Kathy Elgin - 2005 - 32 페이지
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft...
일부보기 - 도서 정보

The Literary Wittgenstein

John Gibson, John Gibson, Dr, Wolfgang Huemer - 2004 - 356 페이지
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,...
일부보기 - 도서 정보

Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and ...

Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies - 2004 - 306 페이지
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,...
일부보기 - 도서 정보

The Great Comedies and Tragedies

William Shakespeare - 2005 - 896 페이지
...welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
일부보기 - 도서 정보

Shakespeare in Japan

Tetsuo Kishi - 2005 - 166 페이지
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,...
일부보기 - 도서 정보

Theater and Entertainment

Kathy Elgin - 2005 - 32 페이지
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In...
일부보기 - 도서 정보

Separate Theaters: Bethlem ("Bedlam") Hospital and the Shakespearean Stage

Kenneth S. Jackson - 2005 - 309 페이지
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
일부보기 - 도서 정보

Elizabethan Popular Theatre: Plays in Performance

Michael Hattaway - 2004 - 234 페이지
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
일부보기 - 도서 정보




  1. 내 라이브러리
  2. 도움말
  3. 고급 도서검색
  4. ePub 다운로드
  5. PDF 다운로드