The Poetical and Dramatic Works of Oliver Goldsmith, M.B.: Now First Collected. With an Account of the Life and Writings of the Author. In two volumes..H. Goldney, 1780 |
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33 ÆäÀÌÁö
... tell you , Sir , the lady is not at liberty . It's a match . You see she says nothing . Silence gives confent . LEONTINE . But , Sir , fhe talked of force . Confider , Sir , the cruelty of constraining her inclinations . CROAKER . But I ...
... tell you , Sir , the lady is not at liberty . It's a match . You see she says nothing . Silence gives confent . LEONTINE . But , Sir , fhe talked of force . Confider , Sir , the cruelty of constraining her inclinations . CROAKER . But I ...
35 ÆäÀÌÁö
... tell thee , woman , the wedding is the most foolish part of the ceremony . I can never get this woman to think of the more ferious part of the nuptial en- gagement . D 2 Mrs. Mrs. CROAKER . What , would you have me think THE GOOD ...
... tell thee , woman , the wedding is the most foolish part of the ceremony . I can never get this woman to think of the more ferious part of the nuptial en- gagement . D 2 Mrs. Mrs. CROAKER . What , would you have me think THE GOOD ...
36 ÆäÀÌÁö
... tell me , my dear , don't you owe more to me than you care to confefs ? Would you have ever been known to Mr. Lofty , who has undertaken Mifs Richland's claim at the treafury , but for me ? Who was it firft made him an acquaintance at ...
... tell me , my dear , don't you owe more to me than you care to confefs ? Would you have ever been known to Mr. Lofty , who has undertaken Mifs Richland's claim at the treafury , but for me ? Who was it firft made him an acquaintance at ...
50 ÆäÀÌÁö
... LEONTINE , OLIVIA . OLIVIA . LEONTINE . 1 What can it mean ? [ Exit . He knows fomething , and yet for my life I can't tell what . OLIVIA . OLIVIA . It can't be the connection between us , 50 THE GOOD - NATUR'D MAN .
... LEONTINE , OLIVIA . OLIVIA . LEONTINE . 1 What can it mean ? [ Exit . He knows fomething , and yet for my life I can't tell what . OLIVIA . OLIVIA . It can't be the connection between us , 50 THE GOOD - NATUR'D MAN .
52 ÆäÀÌÁö
... HONEYWOOD . May I beg leave to ask your name ? BAILIFF . Yes , you may . HONEYWOOD . Then , pray , Sir , what is your name , Sir ? BAILIFF . BAILIFF . That I didn't promise to tell you . 52 THE GOOD - NATUR'D MAN . ACT THE THIR D. ...
... HONEYWOOD . May I beg leave to ask your name ? BAILIFF . Yes , you may . HONEYWOOD . Then , pray , Sir , what is your name , Sir ? BAILIFF . BAILIFF . That I didn't promise to tell you . 52 THE GOOD - NATUR'D MAN . ACT THE THIR D. ...
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affure Afide anſwer aſk BAILIFF bar-maid believe beſt buſineſs Conftance coufin CROAKER dear defire DIGGORY drefs Ecod Enter Mifs Exeunt Exit fafe father feem feen fellow fenfe fent ferve fhall fhew fhould fifter fince fincerity fome fomething foon fortune fpeak fquire friendſhip ftill fuch fupper fuppofe fure GARNET gentleman good-natur'd Haftings happineſs HASTINGS hear himſelf honour hope horfes horſes houfe houſe JARVIS juft lady laft LEONTINE LOFTY look madam mafter MARLOW married Mifs HARDCASTLE Mifs NEVILLE Mifs RICHLAND miſtake modeft moft moſt muft muſt myſelf never OLIVER GOLDSMITH OLIVIA paffion pardon perfon pleaſe pleaſure prefent promiſe proteft reafon referve refolution refolved refufe ſay ſee SERVANT ſhall ſhe Sir CHARLES Sir William Honeywood ſpirit ſuch talk tell thefe there's theſe thing TONY uſed whofe worfe young yourſelf Zounds ¥Ó¥Ï¥Í¥Ô